All Chablis lovers know that Raveneau and Dauvissat are the two most sought after quality Chablis producers in the region. 2015 was of course a warmer season with summer temperatures touching 40 degrees Celsius at times.
But all the wines I’ve tasted from Dauvissat express such great purity and sense of place and there is certainly no shortage of acidity. Other than his small amounts of Les Preuses and Les Clos, his La Forest must be one of the finest examples of this vineyard in Chablis.
Forets (alternatively titled La Forest) is a Premier Cru climat on the western side of the Serein river in Chablis. Located on a south-facing hill of high-quality Kimmeridgian soils just a few miles southwest of Chablis town, Forets produces elegant, steely wines from the Chardonnay grape variety.
The wine features the usual 10% to 15% of new oak without ever blurring the wines mineral focus. Not easy to get your hands on, but certainly worth the effort to do so!
Domaine René et Vincent Dauvissat Chablis 1er Cru la Forest 2015, Burgundy, 13 Abv.
The 2015 Chablis 1er Cru la Forest is a very sexy white wine indeed. From a warmer less steely vintage than 2014, this follow up effort is thoroughly delicious showing a overt nose of white blossom, wet stones, struck flint, wet chalk, bruised green granny smith apples, ripe quince, dried oregano herbal notes and mature yellow orchard fruits. Such complex aromatics. The palate has wonderful precision and focus and incredible purity with just enough wound spring acid tension to counter balance the waxy, peppery green apple and quince fruit notes. This is a fabulous effort from Dauvissat with impressive concentration, textural harmony and honest terroir typicity. A real beacon to high quality Chablis. Drink now to 2028+
Well, it’s that time of year when we gather to bid farewell to fine wine friend Keith Prothero before he decamps to the Cape for the summer / UK Winter. I volunteered to organise the lunch finale with Bruce Poole, co-owner of Chez Bruce, Keith’s favourite restaurant in London and below is a little snap shot of the epic wines consumed. All wines were tasted blind before they were revealed.
First up, a vibrant, tantalising Clos des Goisses 1996 Champagne from Philipponnat with a fine leesy biscuit lift and a pronounced, creamy citrus note. Beautiful definition, purity, and a salty briney undertone that melts away into dusty lemon, buttered toast and a crisp, vibrant finish with great structure. A good bottle drinking at its peak. (96/100 GS)
The first flight of five whites started with an impressive Niepoort Coche White Blend 2011, briming with creamy peachy yellow fruits, lovely struck match reduction, ample minerality, woodsmoke, cassis leaf, wet slate, and wonderfully fine depth. I loved the tension and profound, subtle, buttery depth. Truly one of Portugal’s finest still white wines. Malcolm Thwaites, who has just recently visited Dirk Niepoort during harvest, actually called the wine amazingly! (95+/100 GS)
Next up, Keith’s Sandhi Sanford & Benedict 2011 Chardonnay. Initially smokey and seductive, with intense saline notes, lemon and lime cordial richness, huge concentration, this was a complete ringer for an old world Burgundian grand vin. Only after it had sat in the glass for a while, did it finally start to reveal some exotic new world fruit notes. A monumental effort from California and the ultimate ringer capable of fooling even the most talented tasters. (96/100 GS)
The Sandhi was followed by one of the truly great white wines of Burgundy, a superb bottle of J-F Coche Dury Meursault 2013. Wow, tasted blind, this was intensely taught, pin point, and precise showing lime, stoney liquid minerals, crushed limestone tension and focus. Very intense with seamless texture, regal mineral complexity, subtle passion fruit hints and great rigour on the finish. “Wines like this should challenge the senses, not entertain them!” was a very poignant comment from Nigel Platts Martin. (96/100 GS)
At these lunches, we always seem to open our “back up bottles” even when not required, and here again, my Didier Dagueneau Buisson Menard Pouilly Fume 1997 was added to the first flight. An interesting bottle, it had tasters scratching their heads endlessly as the wine unfurled in the glass. Plenty of white peach, passion fruit, pineapple and stoney minerality were in evidence. Beautifully exotic with a mercurial dry finish. “A bit of an upstart”… but certainly showed its class in my mind. (93/100 GS)
Just as we were about to move on to the reds, we were treated to another late addition and definite rarity. A fine bottle of Raveneau Chablis Grand Cru Les Clos 2002. The initial nose was quite lactic, with hints of cottage cheese and cream, yet also full of oyster shell, fennel, pineapple and aniseed. There was a touch of wet dog to the wine combined with great minerality which led many of us to the Loire. But this was classic, elegant, fresh, super fine Grand Cru Chablis at its best and developed wonderfully in the glass. (94/100 GS)
The first three reds revealed a Rhoney theme but with a few twists. First up was Neal Martin’s amazing Jaboulet Cornas 1972 that showed a bouquet of rich brûlée oranges, savoury cured meats, and cherry confit. Rich and textural, this beautifully lifted wine sang a wonderful melody, and while mature, was thoroughly enchanting. So typical of the Northern Rhone, almost all at the table plumped for Hermitage or even perhaps a great vintage of Crozes-Hermitage. La Chapelle was even mentioned. But Cornas it was. I would have expected a little more blood and iron for a Cornas but perhaps the Jaboulet personality was shinning through more than the appellation’s terroir. A real treat. (93+/100 GS)
The wine that followed was younger and required a bit more thought. Beaucastel Chateauneuf du Pape Hommage a Jacques Perrin 2000. Very complex Mourvèdre dominated wine (60%) loaded with black berry and bramble fruits with saddle leather, cured meats, liquorice, tar and sweet earthy black fruit notes. Dense and concentrated, this was a delicious grand vin wine almost certainly drunk too young. Give this classic another decade at least. (96+/100 GS)
So we were well and truly treading a Rhone path, when the next red from Alex Lake had us all a bit fooled. A Giaconda Warner Vineyard Shiraz 2002 was not to my memory picked out as New World by anyone. Smoky lifted nose with granite dust, aniseed root, and earthy black berries, this was a very compact, focused wine with plenty of tension, crisp acids, and a subtle, restrained, savoury boxwood and pepper corn spice finish. A very smart wine that along with the Mullineux reds, is one of the few new world Syrahs / Shirazes Keith openly admits to drinking! Nice to taste this wine again with more age, but still a long life ahead of it. (95/100 GS)
The next pair of reds charmed some more than others, but as a devout Italian fine wine lover, the next two reds had me weak at the knees, (or was that the previous 10 bottles?). An utterly sublime Soldera Case Basse Brunello di Montalcino 1999 was bursting with sweet cherry blossom perfume, savoury earthy notes, saddle leather and wet tobacco, gun smoke, and graphite. Plenty of energy, this really was a superb, seductive hedonistic red full of character. (96+/100 GS)
To partner the Soldera was another real rarity ~ a Valdicava Madonna Del Piano Brunello di Montalcino Riserva 1990. Not a wine you come across very often anymore, this wine had all the archetypal power and prowess Valdicava’s Riserva’s are so famous for, except this one was finally giving an impression that despite being beautifully fresh and vital, it was approaching peek drinkability after 27 years! Dark and smoky, dense and dusty, it was quite saline, tight and precise, with pithy caramelised cherry fruits, grilled herbs, leather, graphite, aniseed and meaty savoury bramble berry depth. Very fine acids and also a touch of VA just to add more lift and complexity. The Riserva can be a hard wine to understand in its youth, or when James Suckling scores them 100 points, like with the 2010. But after tasting a maturing vintage like this, a lot of puzzle pieces fall into place. (96+/100 GS)
At this point, we were all amazed that no Burgundy or Bordeaux had featured in the flights yet! But the next wine broke the drought. A most majestic Chateau Cheval Blanc 1985 from St Emilion. This was a real treat and must be one of my favourite vintages of Cheval Blanc. Loaded with black berry fruits, gun powder, briary, and aniseed notes, it was also so vibrant, energetic and packed full of saline cassis, a touch of ink, leafy spice, sandalwood and buttered brown toast. Drinking in the perfect harmonious mid point between youth and maturity. For me, a top right bank Bordeaux ready to drink does not get much better than this. (98/100 GS)
The last red was possibly another late addition, hence it was not included in the Rhone flight. But in many ways, it received more deserving attention being served in isolation. A contender for wine of the lunch, the Les Cailloux Chateauneuf du Pape Cuvée Centenaire 1990 from Lucien & Andre Brunel was indeed profound. A solid 100 pointer on the Wine Advocate scale, Robert Parker once described this wine as one of the greatest vintages ever made at the estate. This bottle was deliciously saline, rich, intense and dense but never tipping over to heavy in anyway. Sleek, crystalline, and supremely elegantly textured, this wine is still so youthful, fresh and perfumed, showing its true class. A really profound wine. (98/100 GS)
To accompany a most delicious cheese dessert course, two sublime sweet wines were served. The iconic Mullineux Olerasay No.1 Chenin Blanc NV made from a Solera system. The word that encapsulates this wine is effortless harmony. It is neither too sweet nor too unctuous, merely finely balanced and beautifully intense. A lot of effort goes into making straw wines of this quality, and this blend deserves a big score if for no other reason, the whole is greater than the sum of its parts. Amazing wine. (98/100 GS)
Before we could cross our T’s and dot our I’s, we were treated to another profound dessert wine ~ the Reinhold Heart Ohligsberger 2010 Mosel Eiswein. After a long afternoon of intense, thought provoking fine wines, nothing could possibly refresh the senses better than a delicious, vibrant glass of rapier fresh Eiswein. Packed full of lemon and lime cordial notes, white peaches, and sweet yellow grapefruit, the acidity balanced the sugar brilliantly and was the perfect ending to a fascinating afternoon of fine wine and of course exceptional Michelin starred food.
Bon voyage Keith, I am sure most of us will still be talking about many of these wines by the time you return in 6 months time.
Another superb highlight from lasts weeks Art of Chablis Tasting comes from a highly renowned producer but from a more modest appellation. The William Fevre Chablis really stood out on the “Village level” tasting table, and in fact was more impressive than many of the 1er Cru Chablis being shown.
Winemakers predicted a good vintage across France in 2015 despite some producers being hit with a hailstorm on the eve of harvest. The Chablis 2015 vintage started off well and it was soon apparent that an early wine harvest was on the cards after the vines flowered in early June, followed by a long, hot and dry July and August. But, dreams of a good vintage were jeopardised by a hailstorm that hit several producers in Chablis on the 1st September, just before the harvest.
There was a fear of a lack of acidity in 2015’s wines. While all have crystalline purity, some do lack an element of tension and vivacity. The 2015 vintage will however be remembered as a sunny, fruit forward, correct vintage producing very accessible, customer friendly wines.
Domaine William Fevre Chablis 2015
The 2015 village Chablis has a dusty, chalky, austere, wet granite nose with a wonderful crystalline purity and impressive saline notes. Finely poised, the palate is fresh and crisp with a respectable line of acidity framing lovely green apple crunchy fruits, lemongrass, wet straw, pineapple and lime peel nuances. Like all the best 2015s, there is a potent marine, sea breeze influence on the finish of this impressively seamless, harmonious, well balanced wine.
This week I attended the “Art of Chablis Trade Tasting” in London to catch up on the latest happenings in one of the wine world’s great classical regions. Billed as a discovery of the various appellation styles, from Petit Chablis to Grand Cru, there was a fairly mixed bag of wines on show, some represented in the UK, some seeking representation.
After a pretty indifferent “restaurant vintage” in Chablis in 2015, and then a crop reduced by 60-70% in 2016, like much of Burgundy, this is a region in flux with many concerns for its future commercial path.
The last serious quality vintage in Chablis was certainly 2014, producing wines with taught acidity, tension and rasping chalky minerality. But despite its slightly lacklustre reputation, the 2015s on taste (the majority of wines), were encouragingly impressive and seemed to have grown in stature, and showed plenty of mineral classism and steely freshness despite lacking some visceral thrill.
But of course there were some real stand out wines, none more so than JP Droin’s incredible 2014 Grand Cru. From grapes grown on Kimmeridgian marls, this wine was clarified straight after vinification. The musts were then placed partly in stainless steel tanks, and partly in barrels. The malolactic fermentation was done systematically. Ageing is for around 10 months in partly new barrels.
Jean Paul et Benoit Droin Chablis Grand Cru Valmur 2014, 13 Abv.
The 2014 Chablis Valmur is one of the most impressive wines in the lineup. The aromatics are very exotic with a tantalising nose of quince, green fruits, pineapple pastille, bruleed figs and subtle tarte tatin notes from the oak aging. The palate is broad, expressive and fresh, with a beautifully creamy, textured palate. This wine has everything… a complex nose, a youthful, dense expressive structure, and a long, exotic, nuanced finish and plenty of classical dusty, pineapple intense, Chablis notes. Such a beautiful, creamy palate texture, seductive fruits and a crystalline finish. Supremely vibrant, pithy, chalky, this wine is almost overpowering in intensity. I could drink this all day.